Tag Archives: 2012 Reads

The Year of the Book by Andrea Cheng, illustrated by Abigail Halpin

If anyone could see my face now, they’d know that I’m in quite a bit of agony.  After reading this post, my readers will hopefully understand why I have to break my own rule of not revealing titles of books published in 2012 as I think and write about them while serving on the Newbery award selection committee.  Here it goes:

I really like this charming little middle grade book. I appreciate that it tells a contemporary story with an ABC (American Born Chinese) protagonist that has some Chinese cultural things sprinkled through without making the heritage a “problem” in her life or in her relationship with her friends.  I think Andrea Cheng really captures that 10-year-old-book-lover-in-the-process-of-sorting-out-friendship-and-family-relations spirit and she successfully implies many emotions and events without ever becoming overtly preachy or melodramatic.  The cover is lovely.  The trim size is cozy.  The occasional illustrations cannot be more warm or eye-pleasing.  I think it will be loved by many readers and teachers can happily use it with their students.  After all, there is the subtle mean-girl scenario that is handled so well and there is reading and writing realistically reflecting many students’ experiences.

The possibility of its wide classroom applicability is why I feel obligated, as someone who can read Chinese fluently, to list some of the spelling, factual, and pictorial mistakes in the book, so adults who use this book with children can help them correct these in the book.  Here are the ones I spotted, in page order:

On the page of the Pronunciation Guide: the last word “Happiness” is marked with the correct pin yin “Xing fu” but where there should be the Chinese character “xing” 幸,there is the hand written pin yin of “Fu”

On page 43: The Chinese Characters and the English are mismatched:

The Chinese Characters are

Pumpkin –> Black Cat –> Witch

but the English labels read:

Witch –> Pumpkin –> Black Cat

On page 45: When discussing about what the moon is like… Anna says that her mom told her the moon is an old lady… which is definitely news to me.  Traditionally we think of these three characters as long term residents on the moon: The Goddess Chang Eh, the Wood Cutter Wu Gang, and the Jade Rabbit.  Sometimes we also say that there is a magical Toad on the moon.  But, old lady?  Hmm… This could just be the result of different families and the stories they pass down.

On page 76: The text says that the Chinese teacher is teaching words like snow, ice, and cold.  The illustration shows the Chinese characters of Snow, Ice, and Cold correctly — but the English label shows, Snow, Ice, and Wind.

On page 110: (I verified this with the pronunciation guide and also the author’s own text on page 143.)  The text shows, “We sit at the kitchen table and have my favorite bean paste, bao zia, for a snack.”  Chinese eat sweet bao zi (steamed buns) with red bean paste filling as snacks, but I seldom see people eat bean paste directly … and bean paste is called “dou sha,” not “bao zi.”  Here also, zi is mistyped as zia, which is not a sound found in Chinese words.

On page 131: When discussing the Chinese Zodiac animals, the author lists “Dog, cat, cow, horse, rooster, and rat” where anyone familiar with the Chinese zodiac or the Chinese zodiac stories knows that CAT is excluded from the zodiac.  There is no “Year of the Cat!”

On page 136: When making the timeline, Anna puts down her birth year as 1998 and states that it’s the Year of the Dog.  This is erroneous.  1998 is the Year of the Tiger.  Year of the Dog is either 1994 or 2006.

These are all non plot-essential mistakes and it does not take away the integrity of the character development or the flavor of the setting.  However, in this day and age where we are teaching each other and our children to be culturally sensitive and as accurate as we can be, and where Chinese speaking and writing people who can take a quick look and point out mistakes to be corrected before going to print should not be very hard to find, finding these many mistakes in one small, 146-page book simply stuns me.

 

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This slim volume of a verse novel works…

This slim volume of a verse novel works quite well: the poems flow and twist and turn and convey the emotions and the storyline with ease that came obviously from much work and rework of the poet. I enjoyed it even if it didn’t move me deeply. Wondering about verse novels often: what subject matter or storyline is worthy of the distilled and condensed form of poetry telling? This one, although features plenty of potential dangers and stated feelings from the protagonist, does not quite reach the level of emotional depth that I usually associate great verse novels with.

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July 13, 2012 · 1:42 pm

There is so much to love about book…

There is so much to love about book 55 — chiefly because, I realize that, after closing the book with a very satisfying and lovely closing paragraph, the misfit characters really come to life and are entirely endearing and the stakes are actually high to justify the adventures these characters must embark on. This is a children’s book that features almost no children (although some of the actions taken can be easily seen as childish and can be easily understood by child readers.) I was surprised at the honestly brutal descriptions of some of the violent actions in the book and the cover definitely does not prepare a reader for those moments.

I cannot quite decide how I feel about the emotional gap between my delight at the often jokey and light-hearted (and clever) narrative tone and my dismay at the cruel behaviors a couple of characters exhibit throughout the book. It’s almost dizzying — the changing of pacing and sensibilities. That said, I wasn’t distraught, just aware of the idiosyncrasy.

A few words about the glorious illustrations: Although I’m only to evaluate based on the text as a member of the Newbery committee, I can’t help but responding positively and being impressed by the skill of the book’s illustrator — those few full page illustrations are done flawlessly: I want to scan, print, and frame them!

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July 12, 2012 · 11:01 pm

I and Book 54 started off on the…

I and Book 54 started off on the totally wrong foot — and I have no idea whether it will get better as I read on. Once again, we have a narrator who is EXTREMELY poetic and literary while has no apparent schooling or environment that fostered such sophisticated usage of language (and … actually, some of the figurative speeches are plain confusing: they sound good but if you stop and consider what they actually try to say…. you are baffled and start questioning the mind of the narrator or the author.) I am going to trudge on since there are a few thematic elements that I feel obligated to explore as my own professional responsibility to the children’s lit. field at large.

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July 10, 2012 · 2:29 pm

Having trouble pinning down my views on book…

Having trouble pinning down my views on book 53. Some of the claims included in book 53 seem much less substantiated by evidence than others. This is due to the fact that the widely-read author includes both highly respected scholarly sources and sources that are out of the left field including claims that are not widely accepted in the academic world. In a way, I admire the author’s reaching to find less conventional sources but since the young readers will not have the knowledge of knowing which sources are more established than the others, the responsibility lies on the biographer’s shoulder to make it clear which source might not be reliable… which the author did in the detailed back matter notes… but not in the body of the text. Are we demanding the young readers to examine the back matter in such details these days that we can leave things less clear in the main body of the text?

I have also found it a bit burdensome as a reader to never know which source (title) by which scholar (author/editor) is cited to support the claims on each page. I can see the benefit of not interrupting the flow of the narrative with parenthetical citations or footnotes, but too many of the (paraphrasing here) “according to one highly respected scholar” or “based on two famous researchers’ data” do become intrusive and mentally exhausting for someone who wonders about how an author obtained his/her facts or made the inferences.

Granted, almost everything is cited and discussed in details in the back matter… but it’s a lot of detective work to figure out anything I had a question for. (I enjoyed it… but don’t know about its effectiveness when used by young folks.) Also — there is at least one incident where the author makes an affirmative claim in the body of the text based on a particular source while in the source notes, the validity of that source is questioned and the young researchers are urged to seek out other sources to further validate (or discount) this source. So, for me, the verdict is still out.

Will keep looking for reviews and seek others’ opinions before really settle on a final verdict — which might never happen. I’m grateful for an intriguing read that made me think really hard on nonfiction/biography writing and the matter of the back matters…

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July 9, 2012 · 9:27 pm

Reading a heavy hitting nonfiction biography and am…

Reading a heavy-hitting nonfiction (biography) and am totally engrossed.

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July 7, 2012 · 8:44 pm

Finished the slim volume of book 52 with…

Finished the slim volume of book 52 with a smile on my face. This is indeed a fun book for beginning competent readers: there is quite a bit of smart humor and definitely enough action to keep the reader’s interest high. The thematic query of whether fate determines (or should determine) the course of one’s life is presented in ways that will inspire young readers (7 or 8) to ponder without overwhelming them with confusing ideas. Well done.

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July 6, 2012 · 11:25 am

Book 51 gave me such pleasure that I…

Book 51 gave me such pleasure that I didn’t stop to take notes (except to jot down some really fun and fresh phrases and observations and a couple of wise advices) or to consider if it is “worthy.” It definitely is quite a wonderful book and I can see recommending it to kids and teachers alike. It has the right tension, the right “heart,” and the right comic relief — all in the right times and places. This is a tale unlike most I’ve read, this year or another, mostly because it has a really likable and unique young narrator who never shape-shifts into a much older author-in-disguise persona and also because the makeshift family is so unusually quirky and warm. It’s a contemporary American tall tale (for those who might not quite believe some of the turns of events — here you go, it’s a tall tale!) The author keeps so faithfully and dexterously to the view point and the mindset of this young narrator — a stark contrast to book 50’s unbelievable young person’s tone.

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July 5, 2012 · 8:14 pm

Another one that makes me ponder if the…

Another one that makes me ponder if the choice of a child first person narrative voice is the best for certain books or stories… book 50 is giving me a lot of trouble right now because there is a fairly young and not the most worldly child who keeps using highly sophisticated words (which might be explained away by her being super bright… being into words… being a storyteller, etc.) AND has so many incredibly mature observations about people, self, and the world. It just sounds suspiciously like the author – and not the child character – talking to the readers.

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July 3, 2012 · 10:40 pm

Book 49 Good very realistic with great characters…

Book 49: Good… very realistic with great characters and full of tender hearts…. I’ll def. put it in my YA section because I think 7th grade and up readers are needed to appreciate the scenarios and dilemmas presented here. I am unsure of one particular character’s dialog (done to reflect his strong regional accent) — it really stopped the flow of the reading because there is SO much inconsistency (ya, yer, you, your — all in one stretch of the same speech… — plus other awkward spellings that simply do not give me a great mental “sound picture” — I am baffled as to why this author felt the need to highlight this particular supporting character’s accent while where the character originally came from has no bearing in the story whatsoever, and while everyone else in the story has no special speech patterns at all.

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July 3, 2012 · 9:55 pm

I was just going to give this author…

I was just going to give this author some brownie points of describing not quite traditionally or lazily this strikingly beautiful girl who has some distinctive features that definitely made me “see” her (and she’s NOT blond!) when I read that she also has “the palest blue eyes in the world.” Haha. I just can’t win. But, hey, I also can’t deny the fact that I find icy blue eyes (since they are non-existent in my youth amongst my friends in Asia and since blue IS a beautiful color in my opinion) highly attractive, too!

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June 30, 2012 · 5:52 pm

Out of all the stories almost half of…

Out of all the stories, almost half of them are really really effective, fun, inventive, spooky, sad, scary. The rest range from quite good to just all right. But I can totally see sharing at least two at this year’s Halloween library story times — for 6th grade and older. It will be superbly chilling. The author manages to give different and mostly authentic voices to the characters, all telling their first person stories, from different eras. I just realized that the stories I like most are told from kids who are not despicable themselves — those who didn’t deserve their tragic fates as much. The sense of melancholy is stronger and thus my level of sympathy becomes higher. My original assessment of the frame story stands, though — it’s definitely not strong enough to hold the whole volume together and the lack of a convincing explanation of why these characters all being together is also problematic. But, I’m glad that I read it!

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June 30, 2012 · 12:49 pm

Book 48 has such a promising concept so…

Book 48 has such a promising concept…. so far, it does not feel that the author delivered, shucks. The frame story is definitely not fresh and does not contain enough spookiness to keep anyone up at night (which is what the description of the book promises.)

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June 28, 2012 · 5:26 pm

Book 47 was loads of fun The snappy…

Book 47 was loads of fun! The snappy, smarter-than-you, but somehow still good-natured narrator delivers an entertaining and slightly suspenseful story with two endearing and intelligent child protagonists. I can see this meta-fiction being “used” by teachers to talk about parts of a story and even narrative tones.

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June 28, 2012 · 5:23 pm

Book 46 started off really promising the middle…

Book 46 started off really promising, the middle part was all right — and the ending was luke warm to say the best. As a whole, it’s not as wonderful as I had hoped: the story is too focused on the main character and what might befall him — although it is a huge “life or death” situation, it seems petty and too single-plot-lined. It definitely does not quite measure up to the vivid settings, fresh world building, and even some really good and beautiful writing. Since it is the first in a series, one might argue that the adventures and situations could become grand and expansive, I wish that it had been the case in THIS volume.

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June 27, 2012 · 8:38 pm

Reading book 46 it feels fresh and the…

Reading book 46 — it feels fresh and the narrative voice so far is extremely charming. Really liking it!

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June 24, 2012 · 5:24 pm

Finished book 45 although the text is so…

Finished book 45 — although the text is so short, the lyrical writing is flawless, superb, and evocative. I thoroughly enjoyed this picture book!

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June 24, 2012 · 5:23 pm

Reading and enjoying book 44 and found out…

Reading and enjoying book 44… and found out that it was originally published in England last year… NOT eligible…. so hard to ditch it halfway.. but I must move on. So this one does not get a real number… *sad*

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June 20, 2012 · 9:32 pm

Another analogy of reading book 43 it’s very…

Another analogy of reading book 43 — it’s very much like appreciating an art house film — you savor it, you want others to appreciate it, and you know that perhaps not everyone will love it but those who do, WILL LOVE IT TO PIECES.

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June 19, 2012 · 4:39 pm

There is very little light at the end…

There is very little light at the end of the book — nonetheless, book 43 is probably the most satisfying read this year. I admire the author’s ability to keep the surprises coming and every surprise makes total sense… unexpected and yet thoroughly plausible and convincing. And the tears came with the sad scenes and the lamenting of the lost friend and the validation of the value of the life-long, death-defying strengths of friendship and love. Although I question the book’s “presentation for a child audience” (plenty of instances that tell me it is for an older young adult or adult readership) I cannot question its artistry or my own personal enjoyment of reading a GREAT new novel. Bravo!

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June 19, 2012 · 4:37 pm