Tag Archives: 8th

The Kingkiller Chronicle, vol. 1 and vol. 2

nameofthewind
wisemansfearVol. 1 (Day1) : The Name of the Wind and

Vol. 2 (Day 2): The Wise Man’s Fear

by Patrick Rothfuss

Altogether, these two volumes are more than 1,500 pages long and the audio book versions took about 61 hours to finish.  I mostly enjoyed the listening experience: the first volume is definitely tighter and since everything is new and the world is un-encountered before, I had a little more patience in all the details that Rothfuss put into the tale: colors of people’s clothing, the types of foods, some basic societal rules, etc.  And there are definitely a lot of thrilling moments and some good passages.

The Wise Man’s Fear, though, suffered from being too detailed at moments, too many similes thrown into the passages (that really could and should have been edited OUT of the tale,) and just too long.  I am really annoyed by authors who decided to use a particular narrative “device” and could not keep to the simplest or fundamental rules of that device.  Here, each volume is supposed to be tales told to the scribe within the duration of ONE SINGLE DAY (where people do go to sleep, where the current day contains events such as robbery, lunch, fighting, etc.)  So, almost 1000 pages of words (no matter how FAST one might be able to speak or write down the words) simply don’t compute.

One learns in writing classes that in order to create convincing and lifelike characters, one must know all the background stories (what colors they like, who was their first crush, when was their first experiences of fear and when and why and how, etc.) of the major characters.  But so much of these details should remain in the mind of the author.  Once in a while, perhaps, something can be drawn out and fill in a missing piece of a character’s traits.  But, the Wise Man’s Fear is full of such details breaking through the backstage door and cavorting on the main stage.  It just didn’t work for me.

I also got quite bothered by Rothfuss’ insistence of describing every single emotion or experience with a comparison to something else.  It is OK, Patrick R, to sometimes just say that you feel soothed by someone’s voice without having to compare the soothing feeling to a mother’s gentle touch to a child’s cheeks and the voice is just like a lover’s breathy whisper by your ears.  Some figure of speech enhances a narrative, but overindulgence in such narrative tool becomes tedious eventually.

All that said, did I love a LOT of what went into the books?  Absolutely.  I loved the world building, the mystery, the tentative romantic relationships, the exploration of language, means of communication, and how world history can be shaped and reshaped.  And I will definitely read (or listen to) the final installment when it is published next year.  Still a series worth recommending.

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Rose Under Fire

roseunderfireby Elizabeth Wein

I have only read three books by Elizabeth Wein.  Years ago, The Winter Prince, last year, Code Name Verity, and now Rose Under Fire.  But, I now know, unwaveringly, that this is an author who can steal people’s hearts and cleanse their souls with her storytelling wizardry.

Elizabeth Wein, my friends, has a creative mind that goes forever deepr and her stories always take you to unexpected but exciting places — no matter their subject matters.  Her mind is so incredibly nimble that she can organize very complex threads into easily followed paths through intricate mazes she has devised for her readers. And, oh, the hearts and souls of her characters and the epic scale of their sufferings and triumphs! They linger on and sustain you like the LIFT under the wing of an airplane and a soaring kite! Read this book NOW and tell everyone else to read it.

I know that young teen readers will take to Rose’s story more readily than they with Verity and can’t wait to recommend this to them all!

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Boxers / Saints (Boxset)

boxersandsaintsby Gene Luen Yang

As I said in my notes earlier, my reactions to this two-book graphic novel set are complex and still unresolved even after several days’ reflection.  Partly because that I found so much of it outstanding, so I did not want to be nitpicking about certain details and I don’t want to color anyone’s reaction to this historical fiction based on my largely emotional reactions as a Chinese American reader who wants everyone to know THE WHOLE STORY!!  I also don’t want anyone to think that I KNOW the WHOLE STORY.  In fact, I had to do some research as I read the book since my textbook history knowledge of this rebellion was also mixed with folklore and stories I saw on tv when I was little.

I am quite aware that Yang did not set out to write a historical treatment of the entire movement, but to personalize individual experiences so that he, and the readers, can explore the impacts of these events.  He couldn’t have been more successful in reaching his goal.  I greatly appreciate how there are never easy answers in Gene Luen Yang’s stories — the readers are left to wonder whether to be angry or sympathetic toward the characters; to admire or abhor what they do; and to be enlightened or perplexed by their reasons for their actions.

I’m glad that Yang included a list of the books he used to create this narrative since the origin of the Boxers and their practices are much debated topics amongst Chinese historians.  The references to the boxers’ being spiritually possessed by powerful deities based on folk beliefs are in agreement with most historians’ findings and there was a real leader of the movement named Red Lantern Chu.  I wish, however, that some sources translated from Chinese scholars were consulted and that the main sources have more balanced views from both sides.

I wish that I could have been convinced of Bao’s ignorance of Qin Shi Huang who is one of the most famous personalities in Chinese history — even if he might not have featured greatly in the opera — but was glad that the First Emperor is portrayed with a complexity of his own.

I wish that I had not cringed so much by Yang’s referencing/highlighting the more exotic but less significant aspect of the rebellion: how some boxers believed that foreign forces’ success was due to their utilizing the “yin power” (usually refers to the female spiritual power) which is evil and undesirable (drinking menstrual blood, flags woven from women’s pubic hair, etc.)  Even if these were documented facts (as Diana Preston claims in her The Boxer Rebellion,) I simply couldn’t help feeling ashamed and hoping fervently that young readers won’t mistake such “foreign” notions as typical of my fellow countrymen in the 21st century. (Does the inclusion of such claims enhance the storytelling and the power of this book?  I am too shaken by it emotionally to see it… perhaps someone else could convince me otherwise!?)

I wish that the slogan on the war banner had been written out in traditional Chinese characters because the events happened way before the simplification of the characters.

The above are all pretty much about Boxers — and I didn’t really get a chance to talk about Saints — which, for some odd reason, I found thoroughly convincing and more intense, although it is only half the length of Boxers.  I found the timeline crisscrossing of the two books very effective and the two pages (282 in Boxers and 158 in Saints) depicting compassionate deities (Guan Yin and Christ) with the same visual design absolutely breathtaking.

These two books can generate so much discussion and are so thought provoking that I have to tag them Highly Recommended even if I had some personal reservations…

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Dune

duneby Frank Herbert

I was much more impressed with the book during the reading of the book than after having finished it — largely due to my expectations of having something transcendent, something heart-felt, something truly world shattering that the journey might have led to than what actually transpires at the end.  I definitely liked the world building, the presentation of technology and training of various warrior/assassin types, and the drawing upon non-Euro-centric traditions in constructing the beliefs and social structures within the world of Dune.  (And the Sand Worms… are such cool Desert Dragons!)

With such a rich and realized world, in the end, the book is just a fairly standard story of a hero that’s born with amazing abilities who cannot escape the paths set up for him and who walks all the way to the end as destined and even though losing a few precious things along the way, there seems to be little to no effect on his person. Much of the plot is propelled and explained away with mysticism and basic political maneuvering. At a certain point, I muttered, “Paul’s better not succeeded in accomplishing this as he has planned…” — but, as always, he did. He managed to achieve all that he set out to do, from outwitting enemies, to changing the ways of a tradition, to earning back trust easily from his old pals. Yes, he did lose a son in the whole process — but his reaction? They would be able to create more heirs and the heirs will inherit the world.

The volume ends as the two generations of concubines having a short exchange where Paul’s mother assures Chani (his true love but not the proper empress) that even though they would never have the title during their lifetime, they will be remembered in history as “Wives”!! Woop-dee-doo! What an achievement!

Granted, it was created in early 1960s and perhaps Herbert was not trying to question science or future worlds as harshly as we might these days — I still couldn’t help but putting a 2013 lens on it.

I know I will not be reading the sequels any time soon.   I searched and read some book summaries of the two sequels — it seems that the question of lineage and political power play are even more centralized in the next two books. Definitely not too exciting for me!

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All the Truth That’s In Me

allthetruthby Julie Berry

I couldn’t put the book down, especially toward the end — really wanting to know how everything played out. I don’t want to spoil it for other readers so won’t say how the plot/romance/mystery/fate were handled by the author — suffice it to say that I was quite impressed.

The most impressive aspect of the book, to me, is the author’s ability to maintain the inner voice, authentic and powerful, of Judith.  Every thought and emotion felt raw and genuine.  Did I sometimes wish that she had thought or acted differently because I wished all the best for her at the moment? Definitely.  But did I want her to act completely rationally — definitely not — because then we would not have had this very readable and more importantly, for a school librarian, “sellable” book to my middle school readers.   I already know that those who enjoyed Scarlet Letter and The Crucible would find this a much easier but nonetheless as gripping addition on their reading list!

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Mastiff

mastiffby Tamora Pierce

I did not read this one when it was first published in 2011 because I kind of “fell” out of love for Beka Cooper and her escapades after Terrier when Bloodhound did not quite deliver the punch that I was hoping for — even though I couldn’t quite put my finger on why.  (I vaguely recall that I didn’t like how she resolved, or didn’t resolve the relationships with the men in her life and also didn’t find the crime or investigation of the crime gripping.)

But, boy, am I glad that I went back to Beka and was not disappointed!!  It’s not that the pacing of this volume is so breathtakingly fast, and it’s not that there is more heart-wrenching romance, somehow, Mastiff just seems more mature and deeper than the previous one, fittingly so, of course, since Beka has matured herself.

This time, the whole kingdom of Tortall is in danger.  The little prince was kidnapped and mistreated.  Evil and powerful mages are setting traps and murdering innocents.  The stakes couldn’t have been higher!

This time, the newly introduced mage, Farmer, also couldn’t have been more entertaining or full of promises — AND he IS so powerful and So very clever!

This time, the mysteries keep me guessing and guessing wrongly a few times!

This time, the conclusion is both sad and satisfying.  Everything works out logically and I enjoyed the Epilogue that brings this story to the very first story I read by Tamora Pierce, Alana.  It brought a content smile to my face.

A most excellent read!

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Hokey Pokey

13642591by Jerry Spinelli

This new book by established author Jerry Spinelli has sparked quite a bit of conversation in the children’s lit. circle.  And at my Children’s Literature Circle (a monthly book club that I host for faculty at my school,) our teachers (and one student) had quite a bit to say about the book as well.  So, here’s a short synopsis of what we discussed last Friday (April 19th.)

We were lucky enough that an 8th grade boy, hungry and in need of some sustenance wandered in to the classroom where some yummy chicken fingers called to him.  We said to Z (his initial) that we’d love to give him this book to read and get some feedback, since one of the common sentiment was, “Who would read this book?  Whom is this book for?”  But Z surprised us by saying, “Oh, that book?  I read it.  I really liked it.”

So we fed Z, asked him to stay for the beginning of our discussion and share with us his reaction.  He told us that the book was easy to read and he really enjoyed it.  These are some of his own words. “It resonated with me.”  “How the author describes it gels with my own childhood.” “I was confused at first.  Thought it was purely fantastical world… until it became clear that it was a childhood… it felt tribal.” ” It feels like a new fantasy world.”  “It would have felt sadder if I had read this earlier.”  Or, as we agreed, for a younger reader, it might not speak to him/her at all!

After Z left, we had a short moment of collective reflective silence — hmm… so this book IS for someone, and at least for this one 8th grader, everything WORKS beautifully.  Z also told us that he read the book in one day — which we all agreed that is the way to go.  Not a book to read in piece-meal, putting down and picking up again.  But we also all agreed that it was NOT an easy book to get in to – not by a long shot.  Anyone staying with the book until the end appreciated it so much more than they had originally thought possible.

We thought that it is daring for Spinelli to create such a unique world and he did quite a great job maintaining it.  Not an easy task.  Some of us felt that toward the end, there’s a bit redundancy in reviewing all the areas of “childhood” (Hokey Pokey) and that tightening it up more would have been  emotionally stronger.  Someone in our group suggested that the book should have been a short story.

We thought that this book will speak most directly and effectively for those who have LEFT Hokey Pokey.  (So, early teens, teens, and adults.)  And it probably will only speak to those who actually lament or miss their childhood.

Is the Allegorical land too obvious for some readers?  It is, somewhat, for me and a couple of other adult readers.  But it seems to have worked quite well for the 8th grader and there is a sense of revelation and pride in being able to name what Hokey Pokey is!

I grappled with the view points somewhat — if this is supposed to be the internal landscape of Jack, why would we be able to see so clearly some of the other characters’ internal journeys?  Especially that of Jubilee’s?    Or perhaps this is NOT an internal landscape but a SHARED Childhood Experience of those who live through it together?  Some leave earlier than others and some want to leave while others want to hold them back.

I wish that the strong dividing line of “BOYS are this” and “GIRLS are that” is less clearly stated to allow for better enjoyment by me with a 21st century sentiment.

I also think that the comparison of Spinelli to Joyce (by plenty of people) is quite off base and that this is not an example of “stream of consciousness” style!

This was definitely a conversation propelling book!  I’d love to hear more opinions for young readers!

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Midwinterblood

mindwinterblood15794941by Marcus Sedgwick

I put up two covers for this book because I found it so strikingly obvious that the UK edition and the US edition attempt to appeal to different readers.  The UK edition has the back of a man in robe holding a gleaming dagger while we are stared at by a beautifully young woman with mysterious patterns overlaying her skin.  Even the type choices are different (not to say that in the UK Sedgwick’s name is the selling point while in the U.S. he has to be “explained” as a Printz honor recipient.

The two design of the title are even different where the UK version Midwinterblood is one word but the US edition the title reads Midwinter Blood.

I have to confess that I was not all that impressed or emotionally invested at the beginning of the book.  It’s that darn high expectations syndrome again: high and enthusiastic praise and push from Monica and the publisher.  Both of them compared the book to other titles I loved — and especially titles that have what I consider “beautiful” writings (such as Laini Taylor’s Lips Touch.)  When I didn’t see the sparkling prose that I was expecting, my eagerness dwindled.  And, the US ARC proclaims that there are Seven Stories of Love and Passion which I interpreted as each story would be an incredibly passionate romance  (again, in the vein of Lips Touch.) Perhaps it’s my close-mindedness, but perhaps this description is indeed misleading.  And from hindsight, I could see how each tale IS a story of passionate love, just not all romantic love.

I am so glad that I stayed with the book.  As it is really clever and original.  The seven stories going back in time, each interconnected in some way, and each containing some unsettling elements (which I adore in short stories,) piece together a whole picture that is powerful and affecting.  Sedgwick even granted my wish by bringing us all back to the first tale, the first characters, and giving us closure.

I’m still left with a couple of questions, though: 1. Are we to interpret the characters ask speaking a Scandinavian language and that everyone of them is from the same linguistic cluster (the Journalist, the Archeologist, and Airman, specifically)  They all seem to have no problem communicating with each other, no matter the time periods and whether the encounter is within the community or with outsiders; and 2. I want to know more about the Orchids and their origins and powers and perhaps stories of greed and desire because of their special qualities.

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Out of the Pocket

OutofthePocketby Bill Konigsberg

The best adjective I could think of to describe this book is perhaps “earnest.”

The reluctantly outed celebrity quarterback’s story is told with such sincerity and truth that the reader cannot but root for the main character.  Along the way, there is just the right amount of suspense and uncertainty — how everyone might react to the news and accept or disapprove of his sexuality or decision  making — to maintain a high interest level to continue reading.  I read through it quickly because I truly wanted to know what happened next.  The football play-by-play scenes are described with lucidity and are quite exhilarating.  So even this football layman could form clear mental pictures and follow the games with all the thrill a spectator at the games would possess.  That is one of the strengths of this book.

I cannot not quite decide whether Bobby is flesh and blood and completely realized or is a courageous face on the cover of a magazine or national campaign poster, whose story is told to and not quite lived by this reader.  Perhaps he is both — at different times in the telling, depending on whether he is put in the middle of a scenario and reacts, or he is being cool-headedly examined by himself in one of his many his internal monologues.

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The Dead

thedead

by Charlie Higson

I am not an aficionado of zombie stories.  Yes, I’ve had a few books and movies under my belt: thoroughly enjoyed World War Z and Zombieland.  But I am in no urgent need for yellow pus, green liquidy drippings, splattered red blood, or all sorts of creatively severed  body parts — any time, anywhere.  I did greatly appreciate the first book in Higson’s zombie series, The Enemy.  And finally got around to read the second installment, a prequel, a “history,” of The Enemy. 

I cannot be more pleased by The Dead.  There is everything I love: exploration of loyalty, what makes someone a leader or a follower, what gives people courage, survival strategies — all told in a highly realized, logically plausible setting and string of events.  Tension and surprises keep the reader incredibly involved and the passages describing the mind deterioration of some characters are simply brilliant.

In a few weeks, I know I’ll be ready for book 3 – The Fear. 

 

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Aristotle and Dante Discover the Secrets of the Universe

Aristotle and DanteThis was high on my “to-read” list after the January 28th Youth Media Award announcement — It won the Stonewall Award, is a Printz honor and is also the Pura Belpré award winner. And the cover had always spoken to me. But, it took me a whole week to finish reading this easy and not very long book. Mostly because I found myself not being drawn back emotionally to the book every time I put it down and I also didn’t feel compelled to continue reading for a long time. I found Aristotle’s narrative too wordy, too self-analytical, too clinical, even, at times. There’s so much crying and laughing: as if those are the only two actions that can express the emotions of the characters. And the descriptions of the crying and laughing were not that varied. The way the father cries is not distinguishable from the way Dante cries. I think this is a message-y book — but the revelation at the very end of Aristotle’s sexuality does nothing to strengthen the book’s power for me. I can appreciate the everyday life style of the storytelling but at the same time, there is definitely plenty of tightening up that could be done. (Is it necessary to feature an aunt who was shunned by relatives because she was a lesbian and a brother who’s serving time for the murder of a transvestie all in one story and all in one person’s life?)

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V for Vendetta by Alan Moore art by…

5805V for Vendetta
by Alan Moore
art by David Lloyd

I really appreciated the intricate storytelling and some of the truly dark moments in this complete collection of the V stories. It’s great to finally know what this classic graphic novel is about and to have read something by the famed Alan Moore. At the same time, I’m not sure that I bought all the philosophical and political views underpinning the characters and the plot line: it seems to run too straight and too narrow down one singular line and everything worked out all according to V’s plans. That said, it is a rewarding read that demands quite a bit of focus and now I have to ponder hard about the ending: is it a brilliant treatment or does it too abrupt and unresolved? I’d love to hear others’ opinions on the series’ ending…

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February 8, 2013 · 6:20 pm

The Darkness Dwellers Kiki Strike #3 Galley by…

8680025The Darkness Dwellers: Kiki Strike #3. (Galley)
by Kirsten Miller

Finished. The first 2013 children’s book that I got to read. A whole bunch of girls (5-8 grade) have been waiting for this to come out for a long long time! Hurray for its final appearance AND happy that they will definitely enjoy it. They will find that the plotting is as adventuresome and surprising as the previous two installments and the tone is as sassy. It’s also delightful to read Ananka’s TIPS for girls that encourage kindness and level-headedness throughout the story.

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February 5, 2013 · 10:14 pm

The Lost Gate by Orson Scott Card Fantasy…

The Lost Gate by Orson Scott Card, Fantasy
With really fresh (although 30-odd years in the making from the first kernel of the ideas for the book) takes on some old magic: elemental magic, beast magic, etc. and the inventive “Gate Magic” (no, not quite like Star Gate, more akin to Pullman’s Subtle Knife and the windows between worlds,) Card created yet another entertaining story. I was very happy for the whole ride — and didn’t find the ending forced (as some critics feel) or that the main character unlikable. Actually, I think Danny is definitely a convincing teen who is a modern day version of Loki the Trickster God. And the episodes of the “other world” politics, pure love, and cruel betrayal also are engrossing.

I did find myself wonder (this is because I know a bit too much about Card and his religious and social politics) why it seems that all Danny is every warned about of living on the street Danny is homosexual pedophiles — as if that is the ONLY danger he would be facing when leading a life of crime (not jails or violence.) I felt the slight clouding of my mood when those passages/messages came up once too often.

The Gate Thief, #2 of the Mithermages series, is to be published next spring. Looking forward!

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July 19, 2012 · 6:54 pm

Bitterblue by Kristin Cashore

Finally finished it… and after 545 pages (in the ARC) I want it to keep going… so the wait begins, again, for the next installment.

How does an author touch one’s heart so profoundly? What did she do that’s just right? The pacing is perfect – without much battle or fight scenes. I knew the general direction that the story must follow and felt rewarded, rather than bored, when the story arc falls neatly where I anticipated — but, also surprised along the way with many little bits and pieces that Cashore masterfully inserted into the story to make it even more intriguing and the world even more realized.

The book is, though, filled with so much sorrow that one can almost not bear reading through. I hope young people (14 and up?) will not be as horrified as us older readers by Leck’s astrocity on his victims and his forced accomplices. I am amazed at the sympathy I felt toward him — the pure evil embodiment through the 3 books — and how damaged a mind and what a torture chamber that mind is for himself.

Glad to see the other beloved characters from Graceling and Fire and can’t wait to see what the next, culminating kind of story Cashore will bring us.

And — Kristin, please don’t worry about publishing the next book right away. We can wait. And if you are having trouble telling the next story, go do something else. Go write something else. Go present your insights on Fantasy world building, on character development, on capturing emotional truths, etc. to the world. Thank you so much for a most affecting story!

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Robopocalypse by Daniel H. Wilson

I absolutely enjoyed the many separate pieces in the book — thinking that each chapter can be treated as a short story since there is always a beginning and an end and not too much set up is needed to comprehend most of them. There are some really intensely gory and cringe-inducing scenes and a couple tales border on horror. Some are heart-warming, too.

One thing that I couldn’t quite get over, though, was the unevenness in keeping to the rules that the author set up for himself: That, supposedly, each piece in the book is a “translation” of something the “narrator” gathered from a massive electronic archive with audio, video, text, etc. — recorded history of various participants in the Robot Uprising and the global warfare afterwards. However, instead of using a 3rd person, observational tone, Wilson chose to tell many of these heroes’ stories from a first person point of view — EVEN if the recordings themselves are from an exterior angle. (And I just noticed that the first few stories are more in keeping with this framework — some stories are from a third person viewpoint while others are supposedly “narrated” by the participants themselves as interviewees or writers, etc. — but that consistency gradually fell apart and at the end there is a lot of “I” and how “I” felt even though the gathered records couldn’t have provided those perspectives.) And some of the voices are not quite in keeping with the characters themselves — or at least, not quite distinctive to be discernibly different from each other, even though some of these characters are drastically different in backgrounds and should probably have different tones. — Although I guess I can accept it because many of them are told from the reporter/archivist’s “voice.” (However, then why are they told from the “I” perspective?)

Still, I can see many readers enjoying the stories and gobbling up the scenes with relish!  And, I am so enamored with the cover design!

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Son of Neptune by Rick Riordan

As all children’s lit lovers know, this is one of the most anticipated sequels of the year.  With the success of The Lost Hero, Riordan set himself quite a high bar to pass — and he came in slight short.  Percy is not as witty or clueless (ironic given that he lost most of him memories) as the beloved, unexpected everyday hero in the previous series.  The two new “heroes” do not generate the same reader admiration that the three new leading characters (Jason, Leo, and Piper) from Lost Hero.  And Hazel and Frank’s potentially awesome powers did not quite get the play each could have.

That said, the book is still full of quirky scenes and exciting adventures.  I especially love the notion that the Amazons are the power behind amazon.com and totally enjoy the Harpy Ella and her voracious appetite for books.  One of my students wrote a reaction to this book and I agree with her musings on some stylistic and character development matters.  Here’s the link: http://blogs.dalton.org/scifan/2011/11/17/603/

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Anya’s Ghost by Vera Brosgol

The story has quite a bit of potential – it could have been really creepy, or really moving, but it turned out to be a mild horror with a not-so-hidden agenda of appreciating and being oneself.

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Okay for Now

 by Gary Schmidt

Tenderness.  As a reader, I felt surge after surge of tenderness toward this 14-year-old young man, emotionally and physically abused by a few, supported and understood and nurtured by many.  And, so tenacious, so strong, and so smart, not to mention, so talented.  Yes, Schmidt did create a character that is much larger than life whose story would have been implausible or unbelievable.  In Schmidt’s apt hand, however, with genuine emotions and a large dosage of wit, Doug’s 8th grade year in Marysville feels archetypal and heroic.  Like the Audubon paintings that serve as the scaffolding for the plot, the artistic stitchings and planning for the storytelling are visible every step of the way, and yet the final outcome is a pure force of nature.  How does one explain it except that the story obviously came from both deep within a compassionate heart and a practiced and diligent hand.

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The Knife of Never Letting Go

Author: Patrick Ness
Performer/Reader: Nick Podehl
Publisher: Brilliance Audio
CDs: 10 (12 hours)
Pub Date: 10/28/2010 and 9/13/2011

MY RESPONSE
Fascinated, engrossed, emotionally affected, and admiring are some of the adjectives I associated with the experience of listening to this brilliant book, and its equally brilliant reader performer, Nick Podehl.  Podehl chose a rustic set of tones for all of his characters. With slight variations for each speaking role, he is entirely convincing as the innocent and willful Todd, the mild, intelligent but bewildered Viola, the the crazed cult leader Aaron, the faithful dog Manchee, and a host of other supporting characters.  Of course, the power of the story comes largely from the author: the imagination that created this futuristic and yet backward world, the skilled hand that penned the breathtaking pace which will NOT let go of the reader’s heart, and the thoughtful mind that wove in so many issues and themes for the readers to ponder.I find the device of the “virus” that forcefully and artificially separates men and women and how they share/not share their thoughts with others ingenious, and as a female reader, agreeing with some of the scenarios.  (I wonder how male readers view this aspect.)Manchee the dog is endearing and with such a sorrowful fate which gives the book and Todd one powerful push in the direction it/he needs to move.  I can’t wait to listen to the rest of the trilogy!  (And my apologies to Monica for not heeding her enthusiastic recommendation for the past couple of years to read this series much earlier!)
SOMETHING ABOUT THE BOOK/RECORDING
This is a thrilling dystopian science fiction story with a very Western flavor: the characters carry rifles, farm the land, and have abandoned all modern technologies in a far off planet in an uncertain (but must be very distant) future. Lots of harrowing scenarios, people (and animals) die, and it ends with a gigantic cliff hanger.  It touches on the topics of religion, of organized crimes, of government styles, of how men and women interact, and of the nature of evil.

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