Tag Archives: fantasy

Lockwood & Co #1: Screaming Staircase

screamingstaircaseby Jonathan Stroud

I truly enjoyed Stroud’s narrative tone, characters and world building in this first volume of a new fantasy/horror series.  In Lucy we find a fresh, sharp-minded, slightly paranoid and self-doubting, but in the end completely lovable main character/narrator.  Lockwood and George are also interesting and multi-faceted characters who maintain the flavorful exchanges between these young people.  The premise also provides a new world for the author and the readers to venture into and explore — The Problem, consisting of ghosts, hauntings, and the solutions of using special child agents trained to deal with them, with all the life-threatening dangers that could befall anyone at any moment.  I’m in awe of Stroud’s talent.

So why didn’t I absolutely love the book?  Probably because I figured too many things out too early so the wait for the reveal seemed a bit long and drawn out?  Or perhaps there were just a few repetitive descriptions/scenarios too many?  (How many times do the readers need to be told how the first hints of haunting feel or look like?)  Do I still want to see what unfolds in book 2?  Yes.  If the Bartimaeus trilogy is any indicator, the sequels will give us more layers and nuanced interactions.  The story will only evolves into something grander and hopefully the ending will be as satisfying — and perhaps unexpected, too?

 

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Rithmatist

rithmatistby Brandon Sanderson

with illustration by Ben McSweeney

I have had the best time reading this book: discovering a completely new and fresh world that is a twist of our real world with alternative histories and a wonderfully naive yet sinister kind of magic: two dimensional chalk drawings turned to life battling creatures.  Sanderson once again  proves his skills in creating a compelling magical system completed with intricate and convincing rules that makes the reader wish to encounter such magic in the real world.  The kind that will excite young readers to learn and master: drawing those Rithmatic defense circles and lines and dreaming up potential new designs and patterns.  The kind that will inspire game makers to create a wonderful board or video game based on the world, characters, and strategies found within the story line.  The kind that I am actually pleased to wait for the next installment in the series because I want to venture further with the characters to explore the unknown territories beyond the confine of the magical academy and the town.  I hope the next book comes out soon!  Can’t wait!

Oh, and the two teenaged protagonists are also authentic and their relationship often brings a smile to my face.

I also love the helpful and fun line drawings of the Rithmatic designs and chalklings, and the intriguing map of the United Isles with island names like Coronado, Zona Arida, Maineford, and DaKote.

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The Ocean at the End of the Lane (and Word Count)

theoceanattheendofthelaneby Neil Gaiman

This is typical Gaiman: the nightmarish landscapes and events are always presented with a reassuring glow of beauty that makes the scene and the story much less horrifying. Rather, it becomes purely entertaining. A bit of chill here and there and things mostly work out — except that there is always that trademark tinge of melancholy – like a lonely tinkling of a music box that plays a haunting and unfamiliar tune, slowly coming to a pause. The book reads like an expanded short story and I think it probably would have benefited from being a short story, rather than a novel (which even though meets the “novel” length requirement, reads more or less like a novella, with such a local setting and a tight plot time frame.)

Did I enjoy it? Definitely. Did it sweep me off of my feet? Not like some of his other work did in the past. However, since Gaiman proclaimed that this is as close to an “actual account” of his childhood as he could manage, the readers do get a glimpse of this creative writer’s mental landscape and the psyches that bring us illuminating stories.

I got a bit curious about the definition of novels, novella, etc. by length, and found this list on the Nebula award:

  • Short Story: less than 7,500 words;
  • Novelette: at least 7,500 words but less than 17,500 words;
  • Novella: at least 17,500 words but less than 40,000 words
  • Novel: 40,000 words or more.
  • At the author’s request, a novella-length work published individually, rather than as a part of a collection, anthology, or other collective work, shall appear in the novel category.

Source: http://www.sfwa.org/nebula-awards/nebula-weekend/faq/

On the same site, I also found an article about the definition of “a word”:

“So, years ago, publishers set up a standard definition: a word is six characters (including spaces).” — more detailed explanation and rationale for this can be found here:

http://www.sfwa.org/2005/01/what-is-a-word/

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Warrior Heir

warriorheirby Cinda Williams Chima

I’ve been catching up with titles and series that I know my middle school readers have enjoyed one at a time.  That’s the main reason that I picked this title up.  For the most part, I enjoyed it.  I can see recommending this one to Percy Jackson lovers because it has some similar situations: a presumed “normal teenager” discovering his talents as both a wizard and a warrior; the training that one receives to better the skill set; the help from mentors; the resolving of conflicts via unconventional means; and a bit of romance.  I only wish that the prose has been a little less bland — either darker, more atmospheric, more descriptive, more dangerous, or more humorous — instead of just “talk talk talk talk talk.”  That’s how I felt as I read — being “talked to” not “story told to.”  And of course, I wish that I were a faster reader so I didn’t have to spend as much time on the pedestrian prose to get to the story line (which is fairly solid and quite inventive….)

I do appreciate that the main characters are from American midwest, and some Americana flavor was introduced — although the Wizarding world is still modeling after medieval European traditions.

Will I read the rest of the series?  According to my (now high school) students, this is the best of the entire series… so I don’t think I will be able to spare time when I really need to catch up with some other titles.

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Mastiff

mastiffby Tamora Pierce

I did not read this one when it was first published in 2011 because I kind of “fell” out of love for Beka Cooper and her escapades after Terrier when Bloodhound did not quite deliver the punch that I was hoping for — even though I couldn’t quite put my finger on why.  (I vaguely recall that I didn’t like how she resolved, or didn’t resolve the relationships with the men in her life and also didn’t find the crime or investigation of the crime gripping.)

But, boy, am I glad that I went back to Beka and was not disappointed!!  It’s not that the pacing of this volume is so breathtakingly fast, and it’s not that there is more heart-wrenching romance, somehow, Mastiff just seems more mature and deeper than the previous one, fittingly so, of course, since Beka has matured herself.

This time, the whole kingdom of Tortall is in danger.  The little prince was kidnapped and mistreated.  Evil and powerful mages are setting traps and murdering innocents.  The stakes couldn’t have been higher!

This time, the newly introduced mage, Farmer, also couldn’t have been more entertaining or full of promises — AND he IS so powerful and So very clever!

This time, the mysteries keep me guessing and guessing wrongly a few times!

This time, the conclusion is both sad and satisfying.  Everything works out logically and I enjoyed the Epilogue that brings this story to the very first story I read by Tamora Pierce, Alana.  It brought a content smile to my face.

A most excellent read!

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Smoke and Mirror

smokeandmirrors
by Neil Gaiman – read by Neil Gaiman

This is a short stories collection from 1998.  As I love Fragile Things and especially love how Gaiman reads his own tales — he is quite a voice actor, changing his tones, inflections, accents — all dexterously and effortlessly and all quite fitting the characters, the advantage of having the author (who is a good storyteller) reading the stories.

I did not love all the tales — not even most of them.  Of the 31 tales and verses, I think I only really enjoyed about a dozen or so.  Something felt lacking — quite a few seem to be character sketches or exercises in painting imageries and building atmosphere, for something bigger and more complete — but not deep or polished themselves.  I often enjoy Gaiman’s somewhat dark or even brutal (and honest, perhaps?) depictions of sexual acts in his writing for adults.  But, I found myself slightly appalled by certain gratuitous passages, shaking my head, gently whispering in my mind, “Neil, you did not have to resort to this — the story itself is strong and intriguing enough…”  — but, of course, many of these stories were meant to be slightly pornographic (light erotica) — I just didn’t quite prepare myself for so many of them being this way.  Now I’ve listened to it once, I’ll be able to go back and pick out the tales that I want to listen to over and over again (like quite a few of those in Fragile Things) and also figure out why some of the stories did not work for me the first time.  (They might grow on me upon repeat listening.)

 

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The Magicians

magiciansby Lev Grossman

I have several different layers of reactions to this book.

Started reading it when it was first published and didn’t quite manage to get too far.  I was sufficiently intrigued by the premise and the tone (smart and snarky and somehow languish as well — there’s a definite “drawl” in the sentence delivery here) to pick it up again and finish it this time around.  And gosh, how much I HATED parts of the book!!!

Good things first: Grossman definitely knows his fantasy tropes and knows how to subvert some of the conventions.  Magic isn’t easy.  Magical lands can really hurt/kill you.  Being a magician might not be as glamorous as one think.  And he definitely delivered some cool inventive magic powers in the book.  I love the transformation from human to geese, the various elemental and physical magic spells and powers, and the time/space travel scenarios, among many other minor and interesting magic tricks.

But.. but… but…. Quentin is SUCH A BORE. Such an angsty whiny little man that I simply couldn’t muster any compassion for him and his predicaments.  The constant search for happiness and the disappointments, the high school and college romantic affairs that turn out to be just petty relationship drivels.  And Alice as a super-magician was just a convenient device so she could save the day and sacrifice herself so that Quentin can somehow have a revelation (a bit too little too late) at the end of the tale.

Grossman managed to create a really unattractive fantasy book that makes me want to cry… in making sure that the readers realize that magic and the fantasy world is Real and is Hard and is Dangerous, he also made sure that much of the charm of a great fantasy novel is destroyed by his words.

Upon discussing this book with my teen readers, though, I realized that perhaps it’s just me being a middle aged reader who is tired and sick of anything dealing with relationship conflicts. These high school readers sense and fantasize about all those college romances as  something to ponder and to look forward to and to experience in their near future.  So, those quarrels, sex partnering, betrayals, loyalties, etc. add to the attraction of the book, not diminish it.  I heard that the sequel is better.. should I continue??

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Sisters Grimm #1: The Fairy-Tale Detectives

sistersgrimm by Michael Buckley

I read this series not in order but it didn’t hurt the enjoyment since each story has its central conflict to resolve and there’s a nicely tied up ending for each one. This first story sets up the backdrop quite nicely, explaining how the fairy tale creatures (the Everafters) got to Ferryport Landing and how the sisters came to assist their grandmother in playing the detectives to capture the culprits in magical crimes. It’s all very clean, imaginative fun and beloved by many of my young readers.

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Fairy's Return and Other Princess Tales

fairysreturnby Gail Carson Levine, a collection of six Princess Tales

I enjoyed pretty much every single story in this collection.  Each one is inventive and fresh, with a lot of humor and just the right kind of twists from the original tales to maintain a high level of interest — even from this veteran fractured fairy tale reader.  I only wish that the design and the title are not so incredibly girly because I believe like all Grimm tales, these stories can be equally appreciated by both genders, even if the focus on the tales is the yearning and seeking of that one and perfect match.  The way Levine presents the relationships of the main characters stresses more on personalities and character compatibilities than some external or shallow physical attraction makes these tales solid choices for young readers.

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Grimm Legacy

grimmlegacyby Polly Shulman

For a librarian, someone who has worked for the New York Public Library system and toured the underground (deeply underground) stacks of books and objects, and a huge fan of fairytale reinventions, this book is a perfect match.  I thoroughly enjoyed the capers and the many magical aspects of the storyline.  This is another one that I can easily recommend to readers who want fantasy stories firmly inserted into their real world experiences.  The clean high school romances, the school basketball games, and the use of electronic devices will speak to contemporary twin readers.  The threads of the mystery are intriguing the first 2/3 of the story.  The last 1/3 becomes a little less skillfully laid out: once all the red herrings are eliminated and the true villain is identified, the story loses a little bit of momentum.  But thanks to the few super fun elements (Elizabeth’s losing her sense of direction, the bottomless box, and the whole idea of all those people turned into figurines for centuries, for example,) I was not bored.  It is, however, a little of a let down to see that the author could not seem to come up with a better or really clever way to get rid of the villain and had to employ a deus ex machina in the form of one of the minor characters and a realm that was never introduced previously in the story.  Nonetheless, I am still excited about the companion book that is to be released this June, The Wells Bequest. I can’t wait to go back to this fantastic library and see what the imaginative mind of Polly Shulman has concocted for the readers.

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Tales from Brothers Grimm and Sisters Weird

talesfrombrothersgrimmby Vivian Vande Velde

The short fractured fairy tales in this collection are lightly inventive, and I found the retelling of Hansel and Gratel truly successful: Vande Velde turns the traditionally sympathetic siblings into cold-blooded, calculating murderers.  The few fairy tale poems seem to be merely fillers.

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Midwinterblood

mindwinterblood15794941by Marcus Sedgwick

I put up two covers for this book because I found it so strikingly obvious that the UK edition and the US edition attempt to appeal to different readers.  The UK edition has the back of a man in robe holding a gleaming dagger while we are stared at by a beautifully young woman with mysterious patterns overlaying her skin.  Even the type choices are different (not to say that in the UK Sedgwick’s name is the selling point while in the U.S. he has to be “explained” as a Printz honor recipient.

The two design of the title are even different where the UK version Midwinterblood is one word but the US edition the title reads Midwinter Blood.

I have to confess that I was not all that impressed or emotionally invested at the beginning of the book.  It’s that darn high expectations syndrome again: high and enthusiastic praise and push from Monica and the publisher.  Both of them compared the book to other titles I loved — and especially titles that have what I consider “beautiful” writings (such as Laini Taylor’s Lips Touch.)  When I didn’t see the sparkling prose that I was expecting, my eagerness dwindled.  And, the US ARC proclaims that there are Seven Stories of Love and Passion which I interpreted as each story would be an incredibly passionate romance  (again, in the vein of Lips Touch.) Perhaps it’s my close-mindedness, but perhaps this description is indeed misleading.  And from hindsight, I could see how each tale IS a story of passionate love, just not all romantic love.

I am so glad that I stayed with the book.  As it is really clever and original.  The seven stories going back in time, each interconnected in some way, and each containing some unsettling elements (which I adore in short stories,) piece together a whole picture that is powerful and affecting.  Sedgwick even granted my wish by bringing us all back to the first tale, the first characters, and giving us closure.

I’m still left with a couple of questions, though: 1. Are we to interpret the characters ask speaking a Scandinavian language and that everyone of them is from the same linguistic cluster (the Journalist, the Archeologist, and Airman, specifically)  They all seem to have no problem communicating with each other, no matter the time periods and whether the encounter is within the community or with outsiders; and 2. I want to know more about the Orchids and their origins and powers and perhaps stories of greed and desire because of their special qualities.

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The Lost Gate by Orson Scott Card Fantasy…

The Lost Gate by Orson Scott Card, Fantasy
With really fresh (although 30-odd years in the making from the first kernel of the ideas for the book) takes on some old magic: elemental magic, beast magic, etc. and the inventive “Gate Magic” (no, not quite like Star Gate, more akin to Pullman’s Subtle Knife and the windows between worlds,) Card created yet another entertaining story. I was very happy for the whole ride — and didn’t find the ending forced (as some critics feel) or that the main character unlikable. Actually, I think Danny is definitely a convincing teen who is a modern day version of Loki the Trickster God. And the episodes of the “other world” politics, pure love, and cruel betrayal also are engrossing.

I did find myself wonder (this is because I know a bit too much about Card and his religious and social politics) why it seems that all Danny is every warned about of living on the street Danny is homosexual pedophiles — as if that is the ONLY danger he would be facing when leading a life of crime (not jails or violence.) I felt the slight clouding of my mood when those passages/messages came up once too often.

The Gate Thief, #2 of the Mithermages series, is to be published next spring. Looking forward!

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July 19, 2012 · 6:54 pm

Clockwork Three by Matthew J. Kirby

I always wanted to read this book — and more than one teachers at school urged me to read it. Since I can’t really read it this year – I downloaded the audio book read skillfully by Marc Thompson. Thompson definitely did the story justice with expertly designed and executed voices for the many characters in the tale. The story itself satisfied: a wonderful blend of life-or-death/survival scenarios and the warmth of friendship and inter-generational support. Although there are some really despicable adults in the tale, there are also so many caring ones that eventually made the three children’s lives better.

I anticipated a lot more “magic” due to the title and the cover design and felt slightly disappointed when I realized that it’s mostly a tale of young immigrants and their struggles finding their places in the world and supporting their families. All three protagonists’ stories are definitely compelling. Kirby then introduced some magical elements in the form of the golems and the golem’s “heart” for the clockwork man. Being a picky and sometimes narrow-minded genre-purist, I found this mixture a bit disconcerting — although it was quite satisfying to read those fantasy bits. I don’t think any child reader will be bothered by this mixture of historical/realistic story telling and elements of magic.

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Bitterblue by Kristin Cashore

Finally finished it… and after 545 pages (in the ARC) I want it to keep going… so the wait begins, again, for the next installment.

How does an author touch one’s heart so profoundly? What did she do that’s just right? The pacing is perfect – without much battle or fight scenes. I knew the general direction that the story must follow and felt rewarded, rather than bored, when the story arc falls neatly where I anticipated — but, also surprised along the way with many little bits and pieces that Cashore masterfully inserted into the story to make it even more intriguing and the world even more realized.

The book is, though, filled with so much sorrow that one can almost not bear reading through. I hope young people (14 and up?) will not be as horrified as us older readers by Leck’s astrocity on his victims and his forced accomplices. I am amazed at the sympathy I felt toward him — the pure evil embodiment through the 3 books — and how damaged a mind and what a torture chamber that mind is for himself.

Glad to see the other beloved characters from Graceling and Fire and can’t wait to see what the next, culminating kind of story Cashore will bring us.

And — Kristin, please don’t worry about publishing the next book right away. We can wait. And if you are having trouble telling the next story, go do something else. Go write something else. Go present your insights on Fantasy world building, on character development, on capturing emotional truths, etc. to the world. Thank you so much for a most affecting story!

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Son of Neptune by Rick Riordan

As all children’s lit lovers know, this is one of the most anticipated sequels of the year.  With the success of The Lost Hero, Riordan set himself quite a high bar to pass — and he came in slight short.  Percy is not as witty or clueless (ironic given that he lost most of him memories) as the beloved, unexpected everyday hero in the previous series.  The two new “heroes” do not generate the same reader admiration that the three new leading characters (Jason, Leo, and Piper) from Lost Hero.  And Hazel and Frank’s potentially awesome powers did not quite get the play each could have.

That said, the book is still full of quirky scenes and exciting adventures.  I especially love the notion that the Amazons are the power behind amazon.com and totally enjoy the Harpy Ella and her voracious appetite for books.  One of my students wrote a reaction to this book and I agree with her musings on some stylistic and character development matters.  Here’s the link: http://blogs.dalton.org/scifan/2011/11/17/603/

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Daughter of Smoke and Bone by Laini Taylor

This is one gorgeously written book. Laini Taylor knows how to create a fresh, inventive fantasy world of dark and unsettling magic and she writes with such relish of words and phrase turns that I felt I was treated to a feast of poetry and imagination. And I loved every bite and sip. And because she knew how to portion her offerings, at the end of the long meal, I felt simply satisfied and not overly stuffed. I fell in love with Karou, the 17-year-old main character who straddles the human and the “monster” worlds. She is artistic, fiercely loyal, and full of mystery. And that love sustains throughout the tale. The Madrigal chapters slow down the pace a bit and I did get a bit impatient to get back to the Karou story (although Madrigal’s IS part of her tale, too, the placement and the length of this part did disrupt the flow of the telling for me) and was a bit annoyed that the story does not end at the conclusion of this volume.

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The Well of Ascension (Mistborn, #2)by Brandon Sanderson

Feeling quite reluctant to write something about this book because I was annoyed as I read (slowly since it didn’t pull me in as the first volume did.) But, I have to keep a record and now am writing a brief note on it: Sanderson does not seem to trust that the readers would remember details from earlier in the same book so there is an unnecessary amount of recaps that just distracted me from enjoying the plot line. I thought most of the device to hide crucial information from the readers was effective but also quite obvious. Besides, although I understand that Sanderson didn’t want to follow the fantasy hero novel tropes to have a huge and triumphant payoff at the end of the novel, especially since this is the middle volume and, hopefully the victory will eventually come at the end of Book 3, I was quite disgusted by the “trickery” and the demoralizing defeat at the end of this arc. (And this is from someone who usually appreciates an author’s realistic rendering of events, even in a fantasy novel with powerful magical beings.) I have to wait for a while to read the final installment and it had better be worth my time then!

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More about Mistborn

Just a couple more thoughts of why I like the book so much.  It’s a Heist story.  I always enjoy a good heist and this one is extremely fun: the carefully plans might still fail and yet the failed plans might lead to bigger or unexpected success.  The processes of the planning and the training are both superbly enjoyable.

And there is the whole large-scaled discussion of legend, story, myth, and religion.  Sanderson obviously wanted to cover a huge ground and as far as I can see, he has succeeded in clearly presenting his characters’ beliefs.

The gentle romance does not hurt, either!  Ah, it defintely is a great read!

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Mistborn: The Final Empire

Mistborn: The Final Empire (Mistborn, #1)by Brandon Sanderson

It’s been a while that I felt surprised, so pleasantly, by freshly designed magic system and layers of intriguing twists in any book. This novel came out more than 5 years ago and I have been hearing about it from a trusted friend for quite some time. I’m so pleased that I finally had the pleasure to experience it. And this pleasure includes both laughter and tears.

Not only does the book have wonderfully fun magic (Allomancy and Feruchemy — both using Metals to enhance human inherent abilities,) contains within are some unforgettable characters: each one is well drawn, distinct, and most of them are so admirable that you don’t want them to leave the scene (but some of them HAVE to.. and it is heart breaking when it happens. Even a character who’s never made a physical appearance in the story becomes endearing in the last chapter.)

I am going to be championing this book from now on!!!

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